Posts tagged “roger moore

A View to a Kill (1985)

James Bond film #14 (Roger Moore Bond)

A View to a Kill (1985)

A View to a Kill marks the 7th and final appearance of Roger Moore as James Bond, Agent 007. It’s been a fun ride that’s lasted 12 years, but as anyone who watches this film could tell you, Moore is 57 years old and looking it. It’s time for some new blood, but not before Moore takes down Christopher Walken, co-starring as the rich and insane Max Zorin. Despite the promise that an unhinged Walken might suggest, A View to a Kill is as worn-out and tired as its leading man.

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Octopussy (1983)

James Bond film #13 (Roger Moore Bond)

Octopussy (1983)

The Bond series becomes a baker’s dozen with 1983’s Octopussy (13), a movie which may very well win the “Worst Title Ever” award. The film itself isn’t so great either, excelling only in setting and severely lacking in story. A Soviet general who’s something like a mix between Dr. Strangelove and Buck Turgidson is attempting to expand the USSR’s borders into Europe through a convoluted disarmament plan. Somehow, an Afghan prince and his unfortunately named business associate get involved, and Bond ends up dressing like a clown. If it weren’t for the absurd name, this subpar Bond film would be long-forgotten by now.

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For Your Eyes Only (1981)

James Bond film #12 (Roger Moore Bond)

For Your Eyes Only (1981)

For Your Eyes Only (12) sees James Bond bursting into the ’80s, and with the new decade, the series takes another turn off its well-worn path. For the past few films, the Bond series has been digging itself into the ground as it went further and further into the realm of gadgetry and comic relief. Moore’s tenure has so far seen psychic mediums, tri-nippled assassins, underwater fortresses, and giant space stations, and while the Connery Bond films always had their own silly moments (like the jetpack in Thunderball (4) or all of Diamonds Are Forever (7)), they never got quite as outlandish as Moore’s. For Your Eyes Only (12) puts the brakes on crazy-town Bond, scaling back the theatrics and getting much grittier than he’s been in a long time. In this film, Bond tries to acquire a missile command system while getting manipulated and attacked by shady Greek businessmen. Fighting alongside him is Melina Havelock, a vigilante with a crossbow seeking vengeance on whoever murdered her parents. Though it’s different in tone than what we’re used to, the level-headedness of For Your Eyes (12) results in a fully satisfying, if not entirely memorable, Bond film.

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Moonraker (1979)

James Bond film #11 (Roger Moore Bond)

Moonraker (1979)

After the success of Star Wars in 1977, Cubby Broccoli decided to jump in on the emerging science fiction craze and choose Moonraker as the next Eon Productions Bond movie. Roger Moore returns for his fourth Bond film, investigating a stolen space shuttle that leads him to Hugo Drax of Drax Industries. Drax’s plan is very similar to Stromberg’s from The Spy Who Loved Me (10) – he plans to destroy humanity and repopulate the Earth as he sees fit. There are a few slight differences – instead of nukes, he’s planning on using poison, and instead of hiding out underwater, he’s planning on chilling in space during the apocalypse – but this déjà vu is symptomatic of Moonraker‘s tendency to coast on the coattails of its spectacular predecessor.

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The Spy Who Loved Me (1977)

James Bond film #10 (Roger Moore Bond)

The Spy Who Loved Me (1977)

Released in 1977, The Spy Who Loved Me comes three years after The Man With the Golden Gun, the longest gap between Bond films so far. The series benefits from this brief hiatus – instead of feeling like the same movie we’ve seen nine times already, there’s something fresh to this film. Starting with an amazing pre-credits scene and never letting up, The Spy Who Loves Me brings  a new standard of excitement and artistry to a series 10 films deep.

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The Man with the Golden Gun (1974)

James Bond film #09 (Roger Moore Bond)

The Man with the Golden Gun (1974)

Roger Moore returns as James Bond in 1974’s The Man With the Golden Gun to uncover a devious plot by an assassin with a third nipple. It was  a year in which the effects of the energy crisis were still at the forefront of Britain’s collective consciousness, so Francisco Scaramanga’s plot involves using newly-developed solar energy to take control of the world. Though Moore made an impressive entrance to the series with Live and Let Die, Golden Gun plays like an attempt to emulate the Connery films. The resulting film is a disappointing follow-up and the worst Bond film in the series so far.

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Live and Let Die (1973)

James Bond film #08 (Roger Moore Bond)

Live and Let Die (1973)

James Bond is dead. Long live James Bond.

Bond never really died, of course (the closest he ever came was when he faked it in You Only Live Twice), but with the conclusion of the Connery era, we begin a new chapter in the series with Roger Moore as our sexy super spy. While George Lazenby’s stint mostly stuck to the conventions of Connery’s Bond, Moore ushers in a radical departure with Live and Let Die, a 70s-tastic blaxpoitation film. In it, Bond uncovers a plot involving a Caribbean dictator and the heroin trade, taking him to such locations as Harlem and New Orleans and causing him run-ins with oracles and Voodoo Loas.

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