Posts tagged “maurice binder

The World is Not Enough (1999)

James Bond film #19 (Pierce Brosnan Bond)

The World is Not Enough (1999)

 Pierce Brosnan returns as James Bond for 1999’s The World Is Not Enough (19), the last Bond of the 20th Century. The action is kicked into overdrive for the 19th Eon Production, the story shirked in favor of big action set pieces and double crossings. In it, Bond goes up against Renard, a Soviet terrorist who can’t feel pain because of a bullet slowly making its way through his brain. Don’t worry, if that’s not unrealistic enough for you, you still get to watch Denise Richards try to play a nuclear physicist. The World Is Not Enough (19) is a roller coaster ride of action scenes that moves so fast you might get lucky and not realize how inane it is until it’s all over.

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Tomorrow Never Dies (1997)

James Bond film #18 (Pierce Brosnan Bond)

Tomorrow Never Dies (1997)

The second Brosnan Bond, Tomorrow Never Dies (18), had quite an act to follow after 1995’s GoldenEye (17). Producers Barbara Broccoli (Albert’s daughter and associate producer for the Dalton movies (15-16)) and Michael G. Wilson (stepson of Albert and producer with him since A View to a Kill (14)) had brought Bond back in a big way; could they manage to do it again? With no more Ian Fleming stories to adapt, an original story was written (also the case with The Spy Who Loved Me (10)), and the story that Bruce Feirstein came up with was a wonderful merger of classic Bond plots and modern global issues. Tomorrow Never Dies (18) continues the modernization of the series that GoldenEye initiated, bringing more of the Bond tropes back for an Information Age update.

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Licence to Kill (1989)

James Bond film #16 (Timothy Dalton Bond)

Licence to Kill (1989)

If anyone ever wanted to see James Bond in rampage mode, they need look no further than 1989’s Licence to Kill. Running with the darker realism of The Living Daylights (15), Licence to Kill sees Bond going vigilante after a Colombian drug lord destroys Felix Leiter’s life. The film that follows has the most graphic violence of any Bond to date and an almost complete lack of light-hearted moments. It’s the most we’ve ever strayed from the Bond film formula, replacing all the campy elements of the franchise while retaining the spectacular action, and the film excels because of its willingness to stand apart from its predecessors

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The Living Daylights (1987)

James Bond film #15 (Timothy Dalton Bond)

The Living Daylights (1987)

The Living Daylights is the first Bond film with Timothy Dalton, a man who would certainly be the most forgotten Bond if it weren’t for Mr. George Lazenby. While Roger Moore altered Bond to make him more comical and suave, Dalton dials back the self-awareness and plays the role more like a serious spy. It’s not a bad idea, and we’ll see that approach work well when we get to Daniel Craig in Casino Royale, but there’s very obvious tension on display in this film between Dalton’s new take and the material’s inability to adapt alongside him.

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A View to a Kill (1985)

James Bond film #14 (Roger Moore Bond)

A View to a Kill (1985)

A View to a Kill marks the 7th and final appearance of Roger Moore as James Bond, Agent 007. It’s been a fun ride that’s lasted 12 years, but as anyone who watches this film could tell you, Moore is 57 years old and looking it. It’s time for some new blood, but not before Moore takes down Christopher Walken, co-starring as the rich and insane Max Zorin. Despite the promise that an unhinged Walken might suggest, A View to a Kill is as worn-out and tired as its leading man.

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Octopussy (1983)

James Bond film #13 (Roger Moore Bond)

Octopussy (1983)

The Bond series becomes a baker’s dozen with 1983’s Octopussy (13), a movie which may very well win the “Worst Title Ever” award. The film itself isn’t so great either, excelling only in setting and severely lacking in story. A Soviet general who’s something like a mix between Dr. Strangelove and Buck Turgidson is attempting to expand the USSR’s borders into Europe through a convoluted disarmament plan. Somehow, an Afghan prince and his unfortunately named business associate get involved, and Bond ends up dressing like a clown. If it weren’t for the absurd name, this subpar Bond film would be long-forgotten by now.

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For Your Eyes Only (1981)

James Bond film #12 (Roger Moore Bond)

For Your Eyes Only (1981)

For Your Eyes Only (12) sees James Bond bursting into the ’80s, and with the new decade, the series takes another turn off its well-worn path. For the past few films, the Bond series has been digging itself into the ground as it went further and further into the realm of gadgetry and comic relief. Moore’s tenure has so far seen psychic mediums, tri-nippled assassins, underwater fortresses, and giant space stations, and while the Connery Bond films always had their own silly moments (like the jetpack in Thunderball (4) or all of Diamonds Are Forever (7)), they never got quite as outlandish as Moore’s. For Your Eyes Only (12) puts the brakes on crazy-town Bond, scaling back the theatrics and getting much grittier than he’s been in a long time. In this film, Bond tries to acquire a missile command system while getting manipulated and attacked by shady Greek businessmen. Fighting alongside him is Melina Havelock, a vigilante with a crossbow seeking vengeance on whoever murdered her parents. Though it’s different in tone than what we’re used to, the level-headedness of For Your Eyes (12) results in a fully satisfying, if not entirely memorable, Bond film.

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You Only Live Twice (1967)

Film #15: You Only Live Twice (1967)

James Bond film #05 (Sean Connery Bond)

Sean Connery is back as James Bond in the fifth film of the series, You Only Live Twice. SPECTRE’s back again, trying to goad the US and the Soviets into a war by eating up their astronauts with a big ole hungry spacecraft. Despite the fact that SPECTRE just stole two atomic bombs in Thunderball, the Americans and Soviets blame each other, so of course it takes level-headed Britain to take care of things. Noting that the mysterious hungry hungry spacecraft landed somewhere in the sea of Japan, they dispense their top agent to the land of the rising sun to see what’s up. During his mission, Bond finally comes face-to-face with SPECTRE’s number 1, Ernst Stavro Blofeld, as played by Donald Pleasance and as spoofed by Dr. Evil in the Austin Powers series.

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Thunderball (1965)

Film #15: Thunderball (1965)

James Bond film #04 (Sean Connery Bond)

After their absence from the third Bond movie Goldfinger, SPECTRE is back in Thunderball to screw with the world and try to kill James Bond in the process. This time, hook-nosed, eye-patched #2 Emilio Largo (Adolfo Celi) hijacks two atomic warheads from NATO and threatens to destroy Miami unless he gets 100 million pounds in diamonds. It’s a classic hostage situation that must have reminded audiences of the contemporary Cuban Missile Crisis, and it’s a great return for an evil organization that uses Cold War fears to enrich themselves.

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Dr. No (1962)

Film #11: Dr. No (1962)

And all of a sudden, I started the James Bond series. I don’t know how long it will take me to get through all 22 films, but join me as I do it. Or else.

James Bond film #01 (Sean Connery Bond)

Dr. No was the first movie based on Ian Fleming’s series about British secret agent James Bond. This is the one, man. The one that started it all. The first step down a road that would eventually see 22 (and counting) movies, 6 different actors taking up the role of Bond, and nearly $5 billion in domestic box office revenue. Coming just after the fll of the studio system, this is the movie that created the secret agent genre, pitting a ridiculously adept protagonist against the forces of evil in the political world. It’s now been fifty years – a full half a century – since Dr. No was released, and there’s simply no other way to view this film than with the knowledge that it was the start of something huge.

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