Heads up, this review is riddled with spoilers. RIDDLED!
Moon is a British science fiction film quietly released in 2009. It got some attention from its screening at Sundance, but besides that short-lived buzz, it got little notice from the media or the public in general. This is one of the more tragic facts in recent cinematic history, because this little indie movie was able to evoke the isolating tone of 2001-era science fiction while delivering an intelligent and reality-based story. Moon is the debut feature film of director Duncan Jones, and on that note, I have to disclose my bias in reviewing this film, since Jones is the son of the handsome and ageless rock star David Bowie, a man who visits me in my dreams every night and can do no wrong. But even with that conflict of interest accounted for, Moon is seriously an awesome movie.
In the near future, Earth’s energy crisis will finally be resolved through the harvest of helium-3, an element used in nuclear fusion that is found in abundance on the moon. Lunar Industries operates a moon-based facility that mines and transports the helium-3 back to Earth. Overlooking this process is a single employee, whose contract of loneliness lasts three years. We join Sam Bell (Sam Rockwell) as he nears the end of his long shift. With live transmission to Earth apparently blocked, Sam watches delayed recordings from his wife and new daughter on Earth. Despite the assistance of an emoticon-faced robot named GERTY (voiced by Kevin Spacey), Sam is beginning to break down psychologically. After a hallucination causes him to crash and pass out on a harvesting expedition, he comes to in the station’s medical bay. And this is where things get weird.
Sam investigates the accident site and finds someone unconscious. Turns out, it’s him. They’re both Sam Bell, as GERTY reveals. After some initial hostility from Sam2, they begin to piece together the facts of the situation. It turns out that the original Sam Bell is back on Earth with his teenage daughter, his wife having recently passed. The memories and videos from them have been manipulated and implanted into each clone. After a three-year service, the clones begin to deteriorate, before they’re finally incinerated in a pod that they believe are taking them back to Earth. The new clone is awakened just like Sam2 was after the crash, then quickly takes over the shift after some rehabilitation.
This is an incredible story that evokes thoughts about corporations, technology, personhood, and the ethics surrounding cloning. Every turn in the story could have been treated as some kind of big twist, but instead, the script just slides them out, confident that the audience will be satisfied enough intellectually to not require a dramatic delivery. It is, in all manner of sorts, a slow burn of a movie. And how could it not be? It’s set on the moon, the loneliest place humans have ever been to. Using models instead of CGI, Jones gives us plenty of wide long shots that let us get lost in the emptiness of space. The colorless, barren moon surface is only slightly less terrifying than the pitch black sky above it. It’s a nice setting for a movie largely about its characters’ psyches.
To say “characters” in the plural is a slight stretch, however, since Moon is mostly a one-man show. Sam Rockwell is one of my favorite actors, able to make characters seem both amiable and a bit psychotic with ease. Playing against himself, Rockwell gets to paint his performance with every shade of emotion. From the hopelessness of Sam1 to the frustration of Sam2, Rockwell is what carries Moon through its sometimes lengthy sequences. Another tragic fact of this film is that Rockwell was ignored by the Academy and never nominated for Best Acting in Moon. How he could have been overlooked is beyond me.
Lending his voice to a robot tethered by rail to the station ceiling, Spacey is a nice accompaniment to Rockwell & Rockwell. His droll voice is perfectly suited for a mechanical assistant. It’s only natural to see GERTY and think of HAL, and the filmmakers know this, so they play GERTY’sintentions somewhat ambiguously at first. Soon enough, however, it’s clear that GERTY is entirely on Sam’s side. This sort of Bizarro-HAL is a breath of fresh air in a genre where robots are often just cold, calculating, and murderous. As we root for Sam to find a way around his injustice, GERTY roots with us, offering his assistance at all turns. But it’s still never easy for the Sams – the fact that GERTY is rail-based keeps him from being too omniscient or powerful, a restriction that only makes sense given Moon‘s low-key future.
Bathed in bright lights and completely sterile white interiors, the set design evokes THX-1138, another slow-paced science fiction movie with a conspiratorial theme. It’s futuristic, but entirely rooted in reality. The models, which look fantastic, add to this approach. So does the fact that it only takes place a generation into the future. The problem that Sam Bell is there to solve is one of our most immediate and pressing; the problem that surrounds the use of his clones is one that lurks in the shadows of our technological future.
Moon is a thinking person’s movie, akin to several excellent decades-old science fiction films. Its steady reveals keeps the story interesting, and when the pace begins to lag, it’s supported by Rockwell’s stellar performance and beautiful direction from Jones. I saw that there was some talk of a trilogy of films set in Moon‘s fictional universe. Although I’m usually against such ideas, I think that as long as Duncan Jones gives those movies the intellectual and technological attention he gave to Moon, then we have two movies to look very forward to.
Final Rating: 9/10
- One thing I wish the film had addressed was the nature of the hallucinations Bell started having. When he burned himself he saw a teenage girl – but it wasn’t his actual-aged daughter, was it? And was it the same figure he saw in the harvester? It just seems like a weird loose end in a story so fully realized.
- I also wasn’t sure what the point of making the clones get sick after 3 years was if they were just going to get incinerated anyway. Could anyone help me figure these points out, because I might very well just be overlooking something.
- If you like to watch Sam Rockwell unravel into mental instability, make sure to check him out in Confessions of a Dangerous Mind, a trippy movie directed aggressively by George Clooney.
This entry was posted on October 5, 2011 by James A. Janisse. It was filed under 9 - 9.5, Cerebral, Genre, Mystery, Ratings, Science Fiction, Thriller and was tagged with adrienne shaw, alex francis, benedict wong, clint mansell, dominique mcelligott, duncan jones, gary shaw, kaya scodelario, kevin spacey, nathan parker, rosie shaw, sam rockwell, trudie styler.